Sui Early Photography of the Holy Sites of Islam in the Arabian Peninsula 145 Staci G. Translated by Reza Sheikh Photography During the Qajar Era, 1842–1925īIOGRAPHIES 79 Elahe Helbig Geographies Traced and Histories Told: Photographic Documentation of Land and People by ʿAbdollah Mirza Qajar, 1880s–1890s 111 Claude W. Scheiwiller Introduction: Early Photography in the Near and Middle East and the Notion of an “Indigenous Lens”Įdhem Eldem The Search for an Ottoman Vernacular Photography © Rana Javadi Editing of the Series: Martin Steinbrück Printing and Binding: DZA Druckerei zu Altenburg GmbH, Altenburg This paper is resistant to aging (DIN/ISO 9706) Printed in Germany Contents
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Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie detailed bibliographic data are available on the internet at © 2018 Walter de Gruyter GmbH, Berlin/Boston Cover: From the series “Image of Imagination” by Bahman Jalali 2003. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Fleischmann Project to Support Research on Photography at the Chair for the History of the Fine Arts, Institute of Art History of the University of Zurich, and from the Faculty of Historical and Cultural Studies, University of Vienna. Printed with generous financial support from the Dr. Carlo Fleischmann Foundation (see in Zurich, the Dr.
The I ndigenous Lens? Early Photography i n t h e N ear a n d M i ddle East Edited by Markus Ritter and Staci G. International Advisory Board Michel Frizot Emeritus Director of Research at the National Center for Scientific Research (CNRS), School for Advanced Studies in the Social Sciences (EHESS), Paris Robin Kelsey Shirley Carter Burden Professor of Photography, Department of History of Art & Architecture, Harvard University Wolfgang Kemp Emeritus Professor of Art History, Institute of Art History, University of Hamburg Charlotte Klonk Professor of Art and New Media, Institute of Art History and Visual Studies, Humboldt University, Berlin Shelley Rice Arts Professor, Department of Photography and Imaging and Department of Art History, New York University Kelley Wilder Reader in Photographic History, De Montfort University, Leicester Herta Wolf Professor of History and Theory of Photography, Institute of Art History, University of Cologne 8 Publication Series of the Center for the Study in Theory and History of Photography (TGF) at the Institute of Art History at the University of Zurich Edited by Bettina Gockel Studies in Theory and History of Photography Vol. The Indigenous Lens? Early Photography in the Near and Middle East How a Former Museum of Modern Art Curator Assembled an International History of Photography Collection for Iran in the 1970s
The Photograph Alb ums of the Royal Golestan Palace: A Window into the Soci al Hi story of Iran during the Qajar Era The Photography Studio of the Naseri Harem in Nineteenth-Century Iran Lass Plates and Kodak Cameras: Arab Amateur Photography in the “Era of Film” The Heroic Lens: Portrait Photography of Ottoman Insurgents in the Nineteenth-Century Balkans-Types and Uses The Gate of the Bosporus: Early Photographs of Istanbul and the Dolmabahçe Palace Written Images: Poems On Early Iranian Portrait Studio Photography (1864–1930) and Constitutional Revolution Postcards (1905–1911)
The Ottoman in Ottoman Photography: Producing Identity through its Negation Relocating Sevruguin: Contextualizing the Political Climate of the Iranian Photographer Antoin Sevruguin (c. Geographies Traced and Histories Told: Photographic Documentation of Land and People by ʿAbdollah Mirza Qajar, 1880s–1890sĮarly Photography of the Holy Sites of Islam in the Arabian Peninsula Photography during the Qajar Era, 1842–1925 The Search for an Ottoman Vernacular Photography Introduction: Early Photography in the Near and Middle East and the Notion of an “Indigenous Lens”
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